Talented London emcee Markus (played by real-life grime artist Ashley “Bashy” Thomas) is spotted at a local hip hop battle and promised fame and fortune. Success comes at a price though, namely abandoning his intelligent lyrics and adopting a groin-grabbing rap persona and a sneering American accent.
Markus’ transformation from wide-eyed boy next door to hip hop stereotype is hilarious yet uncomfortably recognisable. One of the best moments is Markus’ first video shoot, when the flamboyant director (played by the scene-stealing Rob Broderick) demands the ubiquitous rap-star props of guns, bling and scantily-clad women dancers (“otherwise I’m shooting a documentary”).
Halfway through many scenes, you realise all the characters are talking in rhyme – which works surprisingly well. The musical thread is strengthened with jazz saxophonist Soweto Kinch as composer/musical director, while much of the cast are clearly talented artists in their own right.
There were a number of technical hiccups that need tightening and the play could be shorter and tighter. But on the whole, Markus The Sadist makes for a fresh, intelligent addition to the British theatre scene. Interested? Don’t hang about – the last performance is tomorrow night (Thursday)! Buy tickets (£14-£17.50) at www.thebloomsbury.com