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Cyprus in London: The Philhellenes Dancing Group and the Yasar Halim Bakery

Journalist Marina Soteriou is a long-term London resident. Writing as part of our World in London series, Marina adds her experiences of Cypriot culture in the capital.

Every Thursday evening at a church hall in Waterloo, a group meet to perform dances which have been danced for centuries. They are the Philhellenes Dancing Group.

I joined nearly three years ago as I wanted to feel closer to my family on the other side of Europe, in Cyprus. The only thing I can remember from my dancing class at primary school in Nicosia was somebody finding a centipede in their shoe, but last October I performed seven Pontic dances at the annual Dance Around the World Festival at Cecil Sharp House in Regents Park.

The group has been running for 21 years, and has performed in Cyprus, Athens, Lesvos and Andros. In London, they’ve danced at the Royal Festival Hall, the Barbican and the British Museum.

Cypriots love a debate and since the so-called “Cyprus problem” has remained unsolved since 1974 – as a result of a Turkish invasion which followed a coup by the junta ruling Greece at the time – we are never short of a topic. Following the division, thousands of Cypriots came to live in London, when the Greek Cypriots fled to safety in the south and the Turkish Cypriots went north.

My grandfather, Andreas Soteriou, was from the beautiful village of Agios Epiktitos in the Kyrenia district in the North, perched high with breathtaking views of the coast. But being born in 1982, these lands were not known to me. The Cyprus I knew stopped abruptly where the rusty barbed wire and UN soldier was. The bullet holes in the Nicosia church we went to every Sunday morning were testament to the violence which was followed by decades of stalemate.

It was not until 2003 when the border crossings opened that the link with my ancestors could be restored and I could visit the house where my grandfather was raised, see his father’s grave and share gifts and stories with the Turkish Cypriot neighbours.

There is something restorative in folk dancing, knowing these intricate steps, double steps and jumps have been replayed for thousands of years and that now is just another dot on the timeline. Although we do not know what the future holds for Cyprus, we know these dances will survive.

Whenever I go back to Nicosia, one of the first things I like to do is go to Ledra Street in the city centre and buy a Papaphilippou ice cream and do as the locals do and promenade.

On one such visit, the first thing I saw was a group of Pontics in traditional costume performing their dances in the public square, the very same dances I have performed with my Bulgarian, Greek, English and Cypriot friends in the church hall in Waterloo on a rainy Thursday night.

For another slice of Cyprus, you can choose one of the many Cypriot restaurants all over London, but I prefer the hive of activity at the Yasar Halim Bakery in Haringey. The bakery was opened by a Turkish Cypriot in 1981 and has everything you can imagine, from the sweet Tahini tachinopites, to the Cypriot doughnuts dipped in syrup, “loukoumades”, which are eaten with the semolina-filled shiamishi at fairs.

To join the class or attend a Greek folk dancing workshop visit www.philhellenes.com or email greekdancing@philhellenes.com. The next Dance Around the World folk dancing festival, which has performances and workshops, takes place on 20 and 21 October. Visit www.datw.org.uk to find out more.

Do you know any other instances where you can sample Cypriot culture in London? Let us know in the comments below.

Libya in London: Fatimid Dinar Coins in the British Museum

We’ve highlighted the “riches” on display in the British Museum’s Money Room before in our World in London challenge, when searching for a trace of Liberia in London.

Now, we return to the British Museum’s incredible hoard, to look at a slice of Libyan life on display in the capital.

In Room 68, you can see the Fatimid dinar, which were minted in Tarablus in Tripoli, Libya in AH 465 / AD 1072-73.

The British Museum’s website explains the importance of these coins:

When the Muslim Fatimid dynasty (909-1171) came to power, they brought with them direct access to the gold sources of West Africa. On his arrival in Cairo, the caliph al-Mu’izz (953-75) is said to have come with 500 camels bearing gold and other riches. Islamic medieval gold coins were made of very pure gold, and so were highly valued in trade. They also had an impact on the coinage of their neighbours. Imitations of Islamic dinars are found in Sicily, Spain and in the Crusader kingdoms.

Do you know of any other examples of Libyan objects on display in London?

Grayson Perry: The Tomb of the Unknown Craftsman at the British Museum

Cross-dressing potter Grayson Perry has taken over part of the British Museum for his new exhibition, The Tomb of the Unknown Craftsman. When I was invited along to a private view, I wasn’t sure what to expect.

Perry introduced the show, saying that it was “a lifetime’s ambition, a chance to find myself in the museum”, adding “I hope people see the museum through my eyes”.

The exhibition features new work by Perry, including a magnificent tapestry; a customised motorbike complete with teddy bear, described by Perry as “a harsh ride” due to its lack of suspension; and a vase representing the different reasons people visit the British Museum (“I wandered in” and “I came to be outraged”).

Interspersed between Perry’s works are objects from the British Museum collection specially selected by the artist, from ancient badges collected by pilgrims, to a phallic statue that was believed to bring good luck.

At the centre of the exhibition is a splendid coffin ship, a memorial to all the unnamed craftsmen that have created objects housed in the British Museum.

“It’s Grayson’s appropriation of the whole of the museum to frame his creative work,” explained British Museum director Neil MacGregor. “It’s something nobody has done before.”

Speaking to a crowd of trendy Frieze Art Fair patrons, Perry seemed far more excited by the prospect of school kids enjoying the show than he was about the opinions of art critics and dealers. “I’ve heard that the average age of visitors is 12,” he said with glee.

This down-to-earth attitude has made Perry popular among the museum’s staff. According to MacGregor, “no curator in the museum has won more affection than Grayson”.

So that’s two reasons why you should visit the exhibition: it’s a fascinating show created by a thoroughly nice chap.

Grayson Perry: The Tomb of the Unknown Craftsman is at the British Museum until 19 February 2012

Mauritius in London: Music, Food, Stamps and the Dodo!

Shreena Soomarah is a copywriter whose parents emigrated from Mauritius more than 30 years ago.

There is no one race, religion, cuisine, or way of life that defines Mauritius. Much like London, life there is a cosmopolitan existence.  No wonder the two cultures get on so well, and so many Mauritians choose London as their second home.

There are a few places you can find Mauritian culture in London:

  • The Mauritian Open Air Festival takes place each July in Down Lane Park, Tottenham, and offers Mauritian cuisine and performances by some of the biggest names in Mauritian music
  • Tune into Spectrum Radio, a radio station based in Clapham, to hear Mauritian sega and soca music, plus programmes dedicated to the Mauritian community in the UK
  • The first Mauritian post office stamps are among the rarest in the world and can be viewed as part of the Tapling Collection at the British Library.  Dating back to 1847, only 500 of each value were produced
  • At the Natural History Museum, you can see a native Dodo.  These are a Mauritian emblem, having been made extinct when the country was colonised

Where else can you find Mauritian culture in London? Let us know in the comments below.

Autumn Art Exhibitions in London

The leaves are turning brown, the weather’s getting chillier and it’s time for a bumper crop of autumn art exhibitions in London.

Two major shows open this week: the British Museum’s Grayson Perry exhibition, which combines new work with objects chosen by Perry from the museum’s collection, and Tate Modern’s retrospective of Gerhard Richter, marking the German artist’s 80th birthday.

Tacita Dean’s installation for The Unilever Series is unveiled in Tate Modern’s Turbine Hall on 11 October. Chinese artist Ai Weiwei covered the hall in ceramic sunflower seeds for last year’s commission. We can’t wait to find out what Dean has in store!

Frieze Art Fair returns to Regent’s Park in mid-October, bringing together 170 of the best art dealers from around the world, along with arty talks, films, music, installations and a sculpture park.

Wildlife Photographer of the Year returns to the Natural History Museum, displaying the best wildlife images chosen from 41,000 submissions. And then, in November, one of this year’s most anticipated exhibitions opens: Leonardo da Vinci at the National Gallery, which is sure to be another London blockbuster.

Which London exhibitions are you looking forward to? Let us know in the comments below.

British Museum crowned Museum of the Year by the Art Fund Prize

Congratulations to the British Museum! The institution has just been crowned “museum of the year” by the Art Fund Prize 2011, and scooped a £100,000 prize.

The Art Fund Prize awards £100,000 each year to a single museum or gallery for a project that wows the judges through its excellence, originality and imagination.

The British Museum won the prize for its groundbreaking A History of the World in a 100 Objects series.

The judges praised the way A History of the World reached far beyond the London museum’s walls, and its pioneering use of digital resources to generate huge public engagement.

At the centre of A History of the World was a 100-part series on BBC Radio 4 (which you can still download now!), telling a narrative global history through British Museum objects from two million years ago to the present day. The British Museum, the BBC and more than 550 museums across the country came together in an ambitious partnership that captured the imagination of millions of people around the world.

I feel really proud that one of London’s greatest institutions has won this top accolade, and was a big fan of the Radio 4 shows.

Read more about A History of the World in 100 Objects. Did you follow the series when it was on Radio 4?

Ethiopia in London: Culture, Food and Sport

We interviewed London-based Ethiopian Tibebu Bogale of charity Plan UK to find out more about Ethiopian culture in London.

Moving to London

I moved to London in October 2009 for better opportunities. In my opinion, what most appeals to Ethiopians about London is the English language, most of us have had exposure to the English language before we came. The second reason is the cultural diversity of the city.

Ethiopian Culture in London

The British Museum and Ethiopian Embassy in London are the best places to find out about Ethiopian culture.

I recommend Addis restaurant and Lalibela restaurant for good examples of Ethiopian cuisine.

Ethiopian cuisine consists of spicy red papers, which is important to prepare a “Wot” [thick stew] served with “Injera”. There are different kinds of Wot but the most famous type is the Doro Wot which is made of different spicies and chicken. Injera is a kind of flat bread which is made of different kinds of grains.

The Olympic and Paralympic Games in London

Sport is very important to the Ethiopian community and I’m really looking forward the 2012 Games.

More about Plan UK and Blog 4 Girls

Plan UK works for children and their communities to help promote children’s rights. The charity works across a range of sectors, including education, health, child protection, child participation, economic security and water and sanitation.

Plan UK is running a competition for bloggers to win a trip to Plan Ethiopia to see some of their projects first hand in Africa. To enter, you’ll need to write an original blog post about barriers to girls’ education in the developing world. See Plan UK’s website for more information and use #blog4girls to spread the word on Twitter.

Liberia in London: Copper Cent Tokens in the British Museum

Room 68 in the British Museum is concerned with that most important of treasures: money.

Among the vast array of objects on display, you can find two coins from the Republic of Liberia in West Africa, dating from the 1830s.

Like the rest of the items on display in this gallery, the “copper cent tokens” from Liberia tell a fascinating story.

Just 28mm in diameter, and weighing less than 12 grams, these tiny tokens are powerful reminders of the relationship between Liberia and the United States, as well as being symbols of the liberation from slavery.

The coin depicts a figure planting a palm tree with a ship in the background, with the inscription LIBERIA, and the date 1833.

Liberia was established 10 years before this coin was issued, in 1821-22, as a settlement for freed slaves from the United States of America. Initially, money in Liberia consisted of American dollars and cents. However, in 1833 the American Colonization Society started producing low-value copper tokens for use in Liberia. The coins were valued as cent pieces.

The other side of this piece of 17th-century Liberia clearly indicates that this coin was issued by the American Colonization Society.

Liberia gained independence in 1847, becoming the first republic in Africa. By 1896, Liberia issued its own official currency, continuing to use the cent, and adding silver 10, 25 and 50 cent pieces. To this day, Liberian currency is based on the US dollar.

Don’t miss this little piece of Liberia in Room 68 of the British Museum next time you visit.

Do you know of any other examples of Liberian culture in London? Let us know in the comments below.

Iraq in London: Mesopotamian Collection at the British Museum and Jeremy Deller’s Baghdad, 5 March 2007

To cover Iraq for our World in London project, we found examples of the country’s fascinating ancient history, as well as a shocking example of the current conflict in Iraq.

The British Museum holds the biggest Mesopotamian collection outside of Iraq. In Room 56 you can see objects illustrating the invention of writing, agriculture and developments in technology and artistry, showing why Mesopotamia (now Iraq, north east Syria and part of south east Turkey) is known as “the cradle of civilisation”.

The museum is also working to preserve Iraq’s cultural heritage by providing conservation, archaeological and curatorial assistance to Iraq since 2003.

The Imperial War Museum is displaying an object showing the impact of the war in Iraq on civilian life. Baghdad, 5 March 2007 by Jeremy Deller is a car salvaged from a street market bombing in Baghdad. The museum’s Head of Collections, Roger Tolson, explains its importance:

“We are a museum about all aspects of conflict and this object has immediacy with the ongoing conflict in Iraq. Although this car is 3 years old it is part of an ongoing conflict. It shows the causes, consequences and conduct of war.

“We are showing it in the main atrium which predominantly contains machinery designed to kill or maim. This was a civilian car, part of an individual or family’s life. It shows how conflict transforms life.

“It’s not the obvious face of the Imperial War Museum. In the early days on display, people were coming to the museum for the first time to see the car.

“I think it’s important for us to be collecting these materials for future generations but what we can’t do is evaluate the story yet like we can with the First World War. These are still raw events but it’s important to show different aspects of conflicts and this part of the story. To see things in real life not just on TV. It gives a sense of the sheer force of these things.”

The car is on display in London until April 2011, when it will move to Imperial War Museum North.

Have you come across any examples of Iraq in London? Tell us in the comments below.

British Museum, Leighton House and V&A in Running for £100,000 Art Fund Prize

The list of 10 museums in the running for the prestigious “Museum of the Year” accolade has been announced.

Congratulations to three London museums: the British Museum, Leighton House and the Victoria and Albert Museum, who are all on the list hoping to win the UK’s largest arts prize – the Art Fund Prize 2011.

The Art Fund Prize rewards excellence and innovation in museums and galleries in the UK for a particular project completed or undertaken in 2010. Following a short list of four museums (announced on 19 May), the £100,000 cash prize will be awarded to the “Museum of the Year” at a ceremony on 15 June.

The 10 UK museums have been long listed for the following projects:

  • British Museum, London, A History of the World
  • Hertford Museum, Hertfordshire, Hertford Museum’s Development Project
  • Leighton House, London, Closer To Home: The Restoration and Reopening of Leighton House Museum
  • Mostyn, Llandudno, Wales, Refurbishment and extension of Mostyn gallery
  • People’s History Museum, Manchester, The new People’s History Museum 2010
  • Polar Museum, University of Cambridge, Promoting Britain’s Polar Heritage
  • The new Robert Burns Birthplace Museum, Alloway, Scotland
  • Roman Baths Museum, Bath, Roman Baths Development
  • V&A, London, Ceramics Study Galleries
  • Yorkshire Museum, York, Letting in the Light – Revitalising the Yorkshire Museum for the 21st century

While the final decision will be made by an expert panel of judges, you’re invited to get involved in the debate as to who should win too. Visit www.artfundprize.org.uk and tell the judges which is your favourite museum. You can also keep up-to-date with the debate on twitter @artfundprize.

Who do you think should win? Let us know in the comments below!