RSC veterans Oliver Ford Davies and Stephen Boxer will star in the drama, which marks the 400th anniversary of the publication of the King James Bible. Edgar’s play tells the story of two men translating the word of God into English: for one, it means death at the stake, for the other, it could bring an archbishop’s mitre.

Another exciting piece of transfer news this week: Mark Rylance’s Shakespeare’s Globe productions Richard III and Twelfth Night (the latter starring Stephen Fry) are moving to the Apollo Theatre in the West End from 2 November. It’s a long time to wait, but I think tickets are going to sell fast, so be quick if you want to see these shows!

An earlier play for your calendars is What The Butler Saw, also announced this week. Comic Omid Djalili, who you might’ve seen in Oliver at the Theatre Royal Drury Lane a couple of years’ ago, will lead the cast of this new production. What The Butler Saw is a comedy of twists, coincidences and sharp one-liners, by Joe Orton, and will play at the Vaudeville Theatre from 4 May to 25 August.

Fans of The Inbetweeners should look out for Blake Harrison (Neil from the show) making his West End debut in Rob Hayes’s Step 9 (Of 12) at the Trafalgar Studios, also in May. Step 9 (Of 12) sees Harrison playing Keith, a drug and alcohol addict, apologising for his past. But as his earlier actions are assessed, it becomes clear they have shocking repercussions for the present.

Finally, Shrek The Musical has announced a new “school night” performance schedule: starting Wednesday night shows at the more kid-friendly time of 7pm. The team have also introduced a new family ticket package for Wednesday and Thursday evening performances with prices starting at £99, making it more affordable for families to see the hit show.

And on 16 May, Shrek will play a special, relaxed performance for children with special needs: tickets are free for the kids, and just £5 for adults. This one-off show is presented by theatre educational charity, Mousetrap Theatre Projects. For more info on the work they do, check out their website.

The play takes place on a single day. University professor Ben Butley is having a tough time, his personal and professional lives are collapsing simultaneously. He is suffering the final breakdown of his marriage, while his friendship with best friend Joey is also on the rocks. At work he is accused of poaching a student from another lecturer, and is hassled constantly by his melodramatic colleagues. Butley deals with his woes by annoying his friends as much as possible.

I thoroughly enjoyed Lindsay Posner’s production of this humorous piece. Effective direction enables the actors to make the most of Gray’s hilarious script. The action is set in a campus office, dusty books balancing precariously on the bookselves, with Ben’s desk and surrounding floor littered with the day’s debris – a visual depiction of the turmoil wrecking Ben’s life.

Dominic West gives a witty and intelligent portrayal of the play’s selfish protagonist. Butley is a charismatic and clever man, but is also sulky and solitary in a juvenile way that reminded me of Hugh Laurie as Dr House (another British actor in a successful American show). Butley seems overly interested in his gay friend’s relationship, so much so that it suggests he may be bi-sexual, though this remains ambiguous. He is totally preoccupied with rhyming verse and regularly pesters those around him with relentlessly silly rhetoric. It is wonderful to watch West tackle this fast paced dialogue with such ease and panache.

Simon Gray wrote Butley 40 years ago and yet I felt this well-adjusted and amusing production was as undated and fresh as ever.

Butley at the Duchess Theatre until 27 August 2011. Book tickets