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Posts Tagged "landor theatre"

50th Anniversary of Closer than Ever at The Landor Theatre

The Landor Theatre in Clapham is one hell of a cool haunt. Recently refurbished, this venue has never looked better. The theatre is above the Landor Pub, a friendly space with an expansive beer garden, convenient for interval drinks. Artistic Director Robert McWhir keeps the focus on housing musical theatre.

This production marks the 21st anniversary of Closer than Ever. The show is an award-winning musical revue, featuring 25 memorable songs by composers Maltby and Shire. Closer than Ever, which contains no dialogue, was described by the writers as a “bookless book musical”.

It presents the lives of four friends, and through self-contained songs tells of diverse real life topics like mid-life crises, working couples, unrequited love and ageing. The intimate nature of the theatre space means you are just a metre or two away from the actors on stage all the time. I could see every little expression and gesture making the show a lot more believable and affecting.

The cast is made up of experienced West End stars – Clare Burt, Michael Cahill, Ria Jones and Glyn Kerslake. Ria Jones was, for me, the most striking but then again she had all the best numbers. Miss Byrd, which is surely the most well-known song was delivered with devilish charm and cheek and was a complete pleasure to watch. I also loved Patterns in the second act, a stark realisation about life and its inevitable let-downs.

 Closer than Ever runs at the Landor Theatre until Saturday 9 October.

Thursday Theatre News: More Henry IV, Birdsong News & the Apollo Victoria’s 80th

First up this week is news that the fantastic double whammy of Henry IV Part 1 and Part 2 at Shakespeare’s Globe Theatre is extending.  You’ve now got until 9 October to catch this pair of incredible shows. I’ve seen both, and can confirm that Roger Allam’s Falstaff is unmissable, and Jamie Parker makes a great Prince Hal.

London theatre’s other cast news this week includes a treat for Over The Rainbow fans. Jessica Robinson (my favourite Dorothy wannabe) will take over from Stephanie Fearon in Smokey Joe’s Café at the Landor Theatre from 20 to 22 August. (Fearon’s recovering from a wrist operation: get well soon, Steph!)

And I now have full cast details for Birdsong, the new play based on Sebastian Faulks’s novel, which opens next month. You’ll recognise Genevieve O’Reilly from Spooks, and Lee Ross from EastEnders, Ashes To Ashes, Life On Mars and The Catherine Tate Show. They’ll star alongside Nicholas Farrell and Iain Mitchell, both regulars at the National Theatre. You’ll remember sexy Hollywood star Ben Barnes is playing the lead…

Other September openings to look forward to include Spare, which marks the opening of the New Diorama Theatre’s first full season. This new play by Sebastian Rex promises to be a provocative look at sexual abuse, where, in an unusual experiment in gender-neutral writing and gender-blind casting, the actors will pick a role at random each night. Also opening Off-West-End next month is Love on the Dole at the Finborough Theatre. This Jagged Fence production of Walter Greenwood’s classic Great Depression text opens on 7 September.

Finally, Happy Birthday Apollo Victoria Theatre! The theatre is celebrating its birthday on the same day as me (although I’m not 80!) – 10 October – with a gala performance featuring West End stars past and present. The theatre has been entertaining London audiences since it opened in 1930, then called the New Victoria Theatre. It seems like only yesterday I saw my first West End show there, back in 1988, aged about 7 (Starlight Express, if you’re wondering!). If you pop along today, you can see another great musical, Wicked. I’m looking forward to bringing you more news about this special gala show in the coming weeks…

Martin Sherman’s Bent at The Tabard Theatre

I studied Martin Sherman’s play Bent at University so was prepared for the gritty narrative and shocking script. As an extra incentive, it’s currently on at the dinky Tabard Theatre in Chiswick, a theatre I have always wanted to visit.

Bent was written in 1979 and offers an insight into the persecution of gay men in Nazi Germany. “Bent” was a slang term for homosexuals at the time. The original West End production starred Ian McKellen, and Richard Gere was in the first Broadway show in 1980.

The tiny Tabard is a suitable venue for this gripping play, and being so close to the action makes it almost unbearable to watch at times.

Russell Morton gives the performance of a lifetime as the moody Max, he seems completely engrossed in the role throughout. Previously in the year Morton won a best fringe actor nomination with the same production at the Landor Theatre.

Steven Butler is endearing as Max’s needy partner Rudy, although I did find myself getting irritated by his whiney voice. David Flynn is striking as Horst and works beautifully on stage with Morton. Flynn adds subtle nuances to his character that makes the two men’s relationship even more believable.

The cramped space and dark set make the whole experience terrifyingly claustrophobic. Barbed-wire walls trap the characters on stage and two large Nazis trap the audience in their seats. Despite knowing the play I found this rendition deeply disturbing at times, sometimes almost having to cover my eyes. Director Andrew Keates has done an expert job bringing out the best qualities of Sherman’s play and adding more.

Although the Tabard is small it houses large talent, with this production of Bent fetching many glowing 4-star reviews. With a lovely pub downstairs the whole venue has a friendly atmosphere. Throughout August you can see brilliant comedians including Alex Zane and Al Murray performing at the venue.

If you want to see Bent at The Tabard, you’ll have to be quick, it finishes this Sunday 8 August.
www.tabardtheatre.co.uk

Thursday Theatre News: Steph Fearon, Robert Lindsay and Christmas at the Rose

Have you been missing the girls from Over The Rainbow since Andrew Lloyd Webber’s search to find a lead for his new production of The Wizard of Oz finished?

Well, news about semi-finalist Steph Fearon bounced into my inbox this week. Fearon will be starring in a summer revival of Smokey Joe’s Café at the brilliant Landor Theatre, one of South London’s best pub theatres from 13 July. Smokey Joe’s Café showcases the musical of Jerry Leiber and Mike Stoller who wrote On Broadway, Jailhouse Rock and Stand By Me: plenty for the lovely Steph to get her winning vocal cords around!

From newbies to oldies: My Family star Robert Lindsay is coming back to the West End later in the year. He’ll play Aristotle Onassis in Onassis, Martin Sherman’s play about the last five years in the life of the Greek shipping magnate, focussing on his relationships with Jackie Kennedy, Maria Callas and his son Alexandros. The show, which is a transfer from Chichester, opens in London on 12 October (previews from 30 September). I think Robert Lindsay’s great. He’s won two Laurence Olivier Awards, and his other stage credits include Oliver!, Me And My Girl and Richard III.

And there’s news of another favorite Olivier Award winner coming to London in the autumn. The ever-wonderful Celia Imrie will play in Noel Coward’s classic comedy of bad manners, Hay Fever, directed by Stephen Unwin at the Rose Theatre from 23 September to 23 October.

Finally, if you’re already bored of the World Cup and starting to think about Christmas(!), there’s news of the Rose Theatre’s Christmas show. The Three Musketeers will be the Rose’s first musical, running from 27 November to 2 January. It’ll  feature music by George Stiles and lyrics by Paul Leigh, with a good dose of royal intrigue and sensational swordplay into the mix!

And the National are teasing us with their Christmas news: Catherine Tate is to star in a revival of Alan Ayckbourn’s Season’s Greetings this December… but they don’t have the exact dates finalised yet…