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Posts Tagged "peacock theatre"

Six New West End Musicals to Look Forward to in 2012

It’s been an interesting year for West End musicals. 2011 has seen huge success stories like Matilda and Crazy For You transfer to the West End, as well as The Wizard of Oz, Shrek and Ghost The Musical.

How can 2012 top that? Well, if the rumours are true, we could be in for some pretty exciting new musicals for the Olympic year. There are whispers of Bridget Jones’ Diary The Musical (with the ever-brilliant Sheridan Smith as the lead); murmurs of Viva Forever The Musical (Spice Girls songs and Jennifer Saunders writing – what more could you want?!); hints about a musical version of The Bodyguard, complete with Whitney Houston’s songs; and suggestions of a Wind In The Willows musical too…

While I love rumours as much as the next person, my tips for 2012 are all based on facts. These shows are definitely coming, and you should be getting excited about them!

1. Master Class, Vaudeville Theatre, from 21 Jan
Tyne Daly has already wowed Broadway audiences with her performance as Maria Callas in Master Class. Next month, she’s heading to London to do the same. I can’t wait.

2. Singin’ In the Rain, Palace Theatre, from 4 Feb
One of my favourite films of all time, it’ll be great to see Singin’ In The Rain on the London stage in February. Particularly with star dancer Adam Cooper in the lead role, and Scarlett Strallen as Kathy.

3. Sweeney Todd, Adelphi Theatre, from 10 Mar
I’m thrilled that Michael Ball is heading back to the West End. He’s such a fantastic singer, and an all-round musical superstar. Sweeney Todd has already had rave reviews from Chichester; I’m so excited about seeing this show when it comes to London in the spring

4. Top Hat, Aldwych Theatre, from 19 Apr
I was a big fan of Tom Chambers when he was on Strictly Come Dancing, so I can’t wait to see him in Top Hat in the West End. My parents have already seen this show on tour, and promise that we’re in for a real treat when it comes to the Aldwych next year. And there’s another one of those Strallen sisters to look out for! (Summer, this time.)

5. Wah! Wah! Girls, Peacock Theatre, from 24 May
Just while you were thinking that all I was going to recommend for 2012 were revivals and transfers, I give you a sparkling new musical from Sadler’s Wells, Theatre Royal Stratford East and Kneehigh. It’s East London meets Bollywood, and part of the exciting World Stages London collaboration for 2012.

6. Porgy And Bess, London Coliseum, from 11 Jul
Finally for summertime (when else?!), the Cape Town Opera comes to the London Coliseum to mark 75 years since George Gershwin’s death. This vibrant, physical production of Porgy And Bess shifts the action to apartheid-era Soweto, with all the classical-jazz-opera musical combinations as strong as ever. It should be a real spectacle.

What musicals are you looking forward to seeing in 2012? Let us know in the comments below…

Three Musicals to See in London this February

This February some fabulous new musical theatre productions have come to London’s stages. Here are a few of the best I’ve seen recently that are worth checking out:

Company
A new staging of this Sondheim favourite is underway at the Southwark Playhouse. We meet single party guy Bobby as he quizzes his coupled up friends about the pros and cons of married life. On his 35th birthday should he really still be without a wife? This is a lively show, with numerous great songs, the cast are vocally extremely strong and make the best of the tricky music. A must see for Sondheim fans. Until 12 Mar

The Last Five Years
This rarely performed gem from talented American composer, Jason Robert Brown is one of the best contemporary musicals out there, in my opinion anyway. The dynamic score combines a variety of musical styles, with memorable melodies and funky creative harmonies. It tells the sad tale of Cathy and Jamie who have broken up after an epic five year relationship. We hear the journey from both characters. Lauren Samuels as Cathy and Christopher Pym as Jamie are both confident and witty in this thoughtful piece. Until 5 Mar, Tabard Theatre

Shoes
Transferring after a sucessful run at Sadler’s Wells, Shoes is now at The Peacock Theatre. With toe-tapping tunes and incredible costumes this is a brilliant night out for everyone and anyone. Hilarious shoe stories, entrancing singing and best of all, unbelievable dancing. Until 3 Apr

Forget the rain and grey skies and book yourself a jolly night out this February. Let us know which one you like best

Our Best Bits: The VL Team’s Highlights of 2010

What a year it’s been! Here we share our highlights of 2010 in London:

Zoe:
Two West End shows that really stood out for me this year were Jerusalem and All My Sons, both at the Apollo Theatre. There were moments of pure theatrical magic in both that’ll stay with me for a long time. I feel privileged to have seen such talented actors as Mark Rylance, Zoe Wanamaker and David Suchet live on the London stage. I feel similarly lucky to have seen both Henry IVs at the Globe, back-to-back. Yes, I had a sore bum, but for me, it was another unmissable production. For musicals, Legally Blonde was the best of 2010. But the highlight of my year was the day I went on stage in the West End as an extra in An Inspector Calls. I certainly won’t forget that in a long time!

Aly:
The fabulous Grace Kelly exhibition at the V&A was a real treat and a definite highlight for me in 2010 as it celebrated the life and style of an actress, princess and icon through her film costumes and royal outfits.  I also enjoyed the gorgeous Sex & The City Afternoon Tea at the Hyatt Regency London – The Churchill as the stiletto shaped chocolates and flirtinis were delicious and so cute.  Finally, learning yoga at triyoga in Soho has been a wonderful challenge and extremely rewarding this year.

Hannah:
Circus-themed events have been big this year. I think my favourite was Psy by The 7 Fingers at Peacock Theatre. It combined amazing acrobatics with energetic music and choreography to create a modern, exciting feel. It made me want to run away and join the circus!

Milly:
London seems to get more exciting and adventurous every year. I will remember the wonderfully diverse musical experiences I was lucky enough to have: Carmen at The Royal Opera House, remembering Michael Jackson at Thriller Live and the talented Jetson at The 100 Club – an epic music venue that sadly may be closing. I look forward to what 2011 has to offer!

Jenny:
I had fabulous fancy dress nights out at White Mischief, The Chap Olympiad and SS Atlantica.  I was also a big fan of the colourful Elephant Parade over the summer. My most recent highlight was ice-skating at Hampton Court Palace – magical!

Lettice:
2010 has been an excellent year for stylish textile exhibitions. The Very Sanderson and the Horrockses Fashions exhibitions at the Fashion and Textile Museum were both highlights. The winner was, of course, the magnificent Quilts 1700 – 2010 exhibition at the V&A which contained so many tiny scraps of fabric, all crafted into beautiful quilts. I spotted top quilter and textile designer Kaffe Fasset looking round the exhibition during my visit, which added to the fun!

Madelene:
Being lucky enough to watch the World Cup from the top of BT Tower, although I have to say although it was good game the views were more inspiring.  Watching a dance performance as part of Electric Hotel in the middle of Kings Cross and touring top London restaurants as part of the Gourmet Odyssey at the London Restaurant Festival.

Claire:
I thoroughly enjoyed Design for Living at the Old Vic – it was my first time at the theatre and seeing a Noel Coward play and I will seek out both again. My favourite gig was Alice Cooper at the Roundhouse – what a showman! I saw the The 39 Steps twice, which speaks for itself, and I attended three different outdoor cinemas in London – I’m hoping this trend continues in 2011. Finally, my favourite history lesson and a bit of a hidden gem is the Brunel Museum & Thames Tunnel Tour in Rotherhithe.

What are your 2010 highlights?

Traces at The Peacock Theatre

Traces is certainly a show with a twist. It was first seen in the UK in 2007 at the Edinburgh Fringe, and is now making an impact on London audiences at Sadler’s Wells Peacock Theatre. This is a thrilling circus type show from French Canadian company Les 7 Doigts de la Main.

Interestingly a number of art forms are combined – while one performer dances, another draws on a projector screen and a third accompanies on the piano. The energy is buoyed by the music (very well chosen I thought) and the immaculately timed fast lighting changes.

I found the narrative a little disorientating; it is set in a makeshift urban warehouse with five characters living out what they believe could be their final days. This confusion only intensified my experience. The players tell stories about their pasts,  touchingly sharing with us their personal strengths and weaknesses.

The urgency and precision of the show is attention grabbing from start to finish. The five performers excel, leaping across the stage with confidence and gusto. And I was impresed by the acrobatic skills of the young cast (Antoine Carabinier Lepine, Antoine Auger, Genevieve Morin, Philip Rosenberg and Jonathan Casaubon).

Traces has both solo showcases and ensemble pieces, held together with speech and musical numbers. They incorporate a wide variety of circus skills within the show; of these the German wheel and the Chinese poles were my favourite, although there is a real wow-factor from the teeterboard act, where a seesaw-like jumping board is used to hurl one performer high into the air.

Traces continues at The Peacock Theatre in Holborn until 30 October 2010. Book Traces Tickets here

French Circus Comes to Town: Psy by The 7 Fingers

It’s circus, but not as we know it. French-Canadian company The 7 Fingers (Les 7 Doigts de la Main) are currently showing off their special blend of acrobatics, theatre and dance in Psy at London’s Peacock Theatre.

I saw their last hit, Traces, a year ago and it was fantastic, but I was unprepared for the brilliance of Psy. It seems The 7 Fingers have been working hard over the past year – they’ve come back even better and more talented than before.

Set in a psychiatric institution, Psy features flying trapeze, a fireman’s pole, juggling, ropes, a large, sharp-looking knife, and amazing acrobatics. If you’re into the excitement of street dance and the circus skills of Cirque du Soleil, you will love this show.

Psy is thrilling from beginning to end, and the two-hour performance seemed to fly by in minutes. The rest of the audience appeared to agree: there was a standing ovation and, as we left the theatre, I overheard comments such as “unbelievable” and “the best thing I’ve ever seen”.

Psy is sure to be popular, so book your seat now!

Psy is at the Peacock Theatre until 15 May.

Blaze: Street Dance at the Peacock Theatre

Blaze brings breakdancing locking and popping back to the London stage this month.

Being a fan of live dance performances, I always get a buzz when I hear about street dance coming my way. I was keen to see what stance the performers would take on delivering their passion in Sadler’s Wells latest production.

Blaze is directed by top West End director and choreographer Anthony Van Laast, (director of Mamma Mia! and Sister Act).

The set designer Es Devlin has created an intimate and cosy feel for the audience, using a stack of drawers as a backdrop, setting the scene in a teenager’s bedroom. The dancers made good use of the stage in creative entrances and exits around the set.

Dancers Carrie-Anne Ingrouille and Fabiano Carvalho Lopes stood out, delivering particularly creative and exciting moves.

However, I wish I’d seen a more polished performance overall. Some set routines were poorly developed and a little childish, and a contest recreating the Vogue dance routine seemed to need fine tuning. They also brought a clap-o-meter on stage; prompting audience participation felt a touch clumsy.

It will always bring a smile to my face when I see and hear about street dance, break-dancing and body popping. I love to see how it continues to evolve.  I’m always on the lookout for dancers keeping it fresh and putting an element of sophistication into street dance, because that’s what my favourite street dancers, like Michael Jackson, do. MJ made street dance sophisticated and opened it up to the world; and once you sophisticate a dance form, you can then take it to another level and deliver it to a wider audience. 

Blaze is at the Peacock Theatre in Holborn until 28 March 2010

Insane in the Brain at the Peacock Theatre

Insane in the Brain. Photo: Hakan Lårsson

Swedish dance troupe Bounce’s Insane in the Brain opened this week at Sadler’s Wells’ West End venue, the Peacock Theatre.

It’s generally ballet that fills my dance card so I was eagerly anticipating this modern, street-dance version of One Flew Over the Cuckoo’s Nest. And I was pleased, if not surprised, to see the audience was a bit younger and more diverse than you often get at traditional ballet performances.

This high-energy show had some fantastic choreography and use of props. The bed scene, with its percussive repetition and alternating light effects was one of my favourites. The slanted backdrop was used for some excellent acrobatics and I loved the dance-offs. I would, however, have liked to see a few scenes made a bit shorter, and the dancers really cut loose in some parts where they seemed to be holding back – this may have been opening night jitters though.

Music was a mix of hip hop (Missy Elliott, Dizee Rascal, Notorious B.I.G), cheesy chartoppers (Lionel Ritchie’s Hello, Maniac and Fame), classical compositions (Greig), metal (System of a Down) and, of course, the title track by Cypress Hill.

A clever inclusion was a short film halfway through – starring the Bounce dancers – which meant the cast could take a well-earned breather without the audience being disrupted by an interval. Plus, they sat right in front of us, so that was quite cool.

If you like things a little bit electro, a little bit shocking, you’d be crazy to miss Insane in the Brain in London until the 3 October (then at various venues around the UK until 21 November).